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Anyone who but raises the question of God punishing the world today for sins runs the risk of mockery and derision. The critics reply that “That was the vengeful God of the Old Testament. Jesus was much nicer.” And while it can be very difficult to prove a cause-effect relationship in particular cases, we do know three things.
First, God has a history of sending plagues and other punishments on mankind, as with the Noah and the flood, the plagues upon Egypt, the leprosy of Miriam, the messages of Akita and Fatima—they all validate the truth that God can and does occasionally send widespread punishments upon mankind.
Second, idolatry is a violation of the First Commandment and is particularly egregious when authorized by a pope.
Third, the public worship of the occultic idol Pachamama in the Vatican, including its enshrinement before the main altar of St. Peter’s Church, was such an idolatry.
Author John Gravino connects a number of key dots, between heretical Church documents and sexual sin, and between the Pachamama worship and the outbreak of COVID-19.
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The silly Sixties’ song “The Age of Aquarius” was wrong. It’s the Age of St. Joseph. Today more than ever does the universal Church need the example and intercessor of the foster father of Jesus Christ. Men, women, and children need the manly exemplar of human fatherhood, and the head of the Holy Family fits the bill in spades.
In the last 150 years, there has been more teaching, insights and conclusions about the husband of the Blessed Virgin Mary than in the previous 1900 years. Father Donald Calloway, MIC, has put everything you need to know about the role of St. Joseph in salvation history. You will be astonished, as I was, of how much you don’t know about the second greatest saint.
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Catholics of the Eastern persuasion take fasting seriously. It looms large in their approach to penitential Seasons in the Church’s calendar. Fr. Hezekias Carnazzo (formerly Deacon Sabatino) founded the Institute of Catholic Culture, and has since served as its Executive Director. He also serves as the Director of the Office of Catechesis and Evangelization for the Melkite Greek Catholic Eparchy of Newton. And is the father of seven.
He is convinced that the sense of apathy and misunderstanding toward the great benefits of fasting has got to change. Fasting not only has health benefits but it is badly needed today for Christians who desire to grow and self-mastery and love of Christ. Listen in!
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The Catholic Church will be dealing with the fallout from the recent Apostolic Exhortation “Querida Amazonia” for many years to come. In this episode of the Patrick Coffin Show, I sit down with the editor of Catholic World Report and Ignatius Insight, author Carl Olsen to talk about the text of the document, and how Catholics are to view it in light of previous magisterial documents.
The big question Catholics around the world are asking is, why was the Synod called in the first place?
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In mid-February, 2020, Father John Hollowell was diagnosed with a brain tumor. Probably one of the least desirable things to hear. The small-town Indiana pastor (of two busy parishes) has not only taken it in stride, as far as that’s possible, he says it was an answer to a prayer he made in 2018 during the maddening summer of shame with the news of McCarrick and related sins and crimes emerged—again.
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If Christmas is the season to be jolly, Lent is the season to be needlessly scrupulous and neurotic, and to argue online about things that have VERY little to do with imitating Jesus, amiright? In this video, I tell the truth about the main confusions many people seem to have about Lent. A blessed Lent to you.
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For a man who has won nine Grammy Awards, recorded over 60 albums, and performed with the very best of American artists, José Feliciano is as down to earth as they come. With his ready laugh, self-deprecating humor, and penchant for bad puns, the self-taught guitar prodigy wants to talk about his Catholic faith, from which he drifted a few years back.
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China is often in the news—for finance, international business, cuisine, and more recently, the Wuhan coronavirus. But the 800-pound panda bear is the fact that China invented totalitarianism centuries before Christ, a collective reality of self-understanding that was tailor-made for the Communist revolution when it arrived.
China expert Dr. Steven Mosher has both a historical and religious context. As a historian, he knows the pattern of oppression and bondage under Communism. As a Catholic convert, he knows how critical China is to the mission of the Church.
For the rest of show notes, watch this episode at www.patrickcoffin.media/show
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China is often in the news—for finance, international business, cuisine, and more recently, the Wuhan coronavirus. But the 800-pound panda bear is the fact that China invented totalitarianism centuries before Christ, a collective reality of self-understanding that was tailor-made for the Communist revolution when it arrived.
China expert Dr. Steven Mosher has both a historical and religious context. As a historian, he knows the pattern of oppression and bondage under Communism. As a Catholic convert, he knows how critical China is to the mission of the Church.
For the rest of show notes, watch this episode at www.patrickcoffin.media/show
Check out our community program: members' forum, weekly webinars, 3 weekly shows and much more. Join other Catholics around the world: www.coffinnation.com
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China is often in the news—for finance, international business, cuisine, and more recently, the Wuhan coronavirus. But the 800-pound panda bear is the fact that China invented totalitarianism centuries before Christ, a collective reality of self-understanding that was tailor-made for the Communist revolution when it arrived.
China expert Dr. Steven Mosher has both a historical and religious context. As a historian, he knows the pattern of oppression and bondage under Communism. As a Catholic convert, he knows how critical China is to the mission of the Church.
For the rest of show notes, watch this episode at www.patrickcoffin.media/show
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He speaks German, Russian, Portuguese, Spanish, English, French and Italian, and he reads Latin and Ancient Greek. His parents were exiled in Ural Mountains gulag under Stalin where they helped the underground Church. He is one of the Catholic Church’s most outspoken prelates, a supporter of the Viganò letters and critic of the Amoris Laetitia ambiguities, who speaks with refreshing frankness about Church corruption and the infiltration of evils in her ranks.
He is Bishop Athanasius Schneider, author (with interviewer Diane Montagna) of Christus Vincit: Christ’s Triumph Over the Darkness of the Age. And His Excellency is this week’s guest.
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Dan Burke lives life literally on the edge of life. The author and former COO of EWTN News (and founder-director of the Avila Institute for Spiritual Formation) has suffered many life-threatening maladies resulting in hospital trips, surgeries, and sundry set-backs.
He teaches the art and science of spiritual direction and appreciation of the Catholic mystical tradition for ordinary Catholics, including seminarians and priests. In a sense, Burke is on a mission to help people understand that the spiritual battle is real, and rages daily in and around us. How equipped are you for this battle?
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Chastity speaker and author Jason Evert has been charged with an EWC (Existing While Catholic) by the ruling elites in Ireland. The boyish father of eight has spoken to millions of young people around the world to great acclaim. But a recent speaking tour to some Irish schools, including its largest college, University College of Dublin, was canceled.
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Chastity speaker and author Jason Evert has been charged with an EWC (Existing While Catholic) by the ruling elites in Ireland. The boyish father of eight has spoken to millions of young people around the world to great acclaim. But a recent speaking tour to some Irish schools, including its largest college, University College of Dublin, was canceled.
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Here is my review for the new Sam Mendes World War 1 drama, 1917.
The movie showcases a wise blend of newcomers and veterans. Director Sam Mendes has decades of experience in the theater and went on to direct movies like American Beauty, Skyfall, and Road to Perdition
I just read that he directed Dame Judi Dench on the stage in England at the age of 24.
The Director of Photography is Academy Award winner, Roger Deakins, whose credits include Kundun, The Shawshank Redemption, Oh Brother Where Art Thou, and the underrated movie “The Assassination of Jesse James By the Coward Robert Ford” based on a book by Deacon Ron Hanson.
1917 blends together all that experience to deliver a quiet wallop. While the subject matter is harrowing and mostly terrifying, one has to use the word beautiful to describe the visuals throughout.
More on that in a moment.
Two very well-known actors have small but critical roles as military commanders, Benedict Cumberbatch—who has one of the most magnificent speaking voices in the world—and Colin Firth.
Both of these great actors seem born to play characters from the past.
On the other hand, Mendes’ co-writer is a relative newcomer Krysty Wilson-Cairns, who has written a few short films and a TV series. There’s nothing green showing here, though. The dialogue is pithy and rings true to the context and the period.
Almost unknowns in the two lead roles:
Dean-Charles Chapman as Lance Corporal Blake and George MacKay as Lance Corporal Schofield.
These are fine young actors who are mostly unknown to American audiences. and this is a good thing because, from the opening scene, they are a blank slate.
The fact that both characters are a bit on the bland side is also a plus because they become “everyman” making it easier to vicariously follow their mission behind enemy lines and alert a British general to halt an invasion that intelligence has discovered is a German trap.
The emotional stakes have to do with the fact that Lance Corporal Blake's brother is set to be unleashed into this trap along with 1600 other British soldiers.
And this is where 1917 draws an easy comparison with “Saving Private Ryan.”
The brutal depiction of what was called The War to End All Wars coupled with the emotional impact of saving a brother makes for a very watchable movie.
But 1917 in its basic story components it's much more similar to Gallipoli, the 1981 World War One drama that proved to the world that Mel Gibson could you more as an actor than motorbike to the desert a black leather outfit and bad hair.
Gallipoli and 1917 share the same trope of gung ho soldiers maybe or maybe not being stopped before going over the top into enemy fire. No spoiler alerts, so I’ll stop right there on that.
1917 opens and closes with bookend images that show how many physical and emotional miles the characters have undergone. Again, simple and unadorned.
Everyone's talking about the single continuous shot which of course is not literally true, as was the case with the Oscar-winning Birdman, directed by Alejandro Gonzalez Innaritu.
It WAS the case with the 2002 movie Russian Ark, directed by Alexander Sokurov, and LITERALLY a 90-minute continuous steadicam shot.
With 1917, Mendes and Deakins have pulled off a two-hour magic trick by seamlessly blending the cuts along the way to give the uncanny appearance of one single camera perspective, mostly handheld and mostly traveling backward which adds to the sense of disorientation.
If you're wondering where they spent the estimated 100 million dollar budget, this is it. cameras mounted on dollies, on cranes, on steady-cam operators, and even on motorcycles, all to take the viewer on a dangerous and unpredictable adventure into hell.
Unlike with most war stories that introduce the characters’ backstories, 1917 jumps right into the mission, we don't know who these men are, we're not sure where they came from, we're only half sure of where they're going, And we certainly don't know if they'll live through it.
1917 does not have the same explicit blood and guts visuals of a “Saving Private Ryan.” The obstacles met and the dangers faced by the two leads is more Hitchcock than Spielberg.
The non-stop action includes a few stops for breathers, one of which is a beautiful scene involving a young French woman and a baby in the middle of a German-controlled village.
I'll mention one more. Special mention here goes to a haunting rendition of a 19th-century gospel ballad called “Wayfaring Stranger,” which has been covered by Johnny Cash, Emmylou Harris, Ed Sheeran, and Jack White.
In 1917, we are treated to an angelic acapella version by actor Jos Slovick, who, standing in the middle of the clearing in the forest in front of absolutely exhausted sitting men—many of them teenagers—sings the song like a liturgical hymn.
It's one of those memorable movie moments that provides a consoling elixir for both the characters and the audience. For a few moments, a war-torn forest becomes a cathedral.
It reminded me of the montage scene with Jose Feliciano haunting version of “California Dreamin’” smack in the middle of Quentin Tarantino's Masterpiece black comedy, “Once Upon a Time in Hollywood.”
All this to say that 1917 is going to clean up at Oscar time.
Finally, an Academy Award win that makes sense!
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In this candid and wide-ranging interview, Princess Gloria describes her German upbringing, her beloved aunt who was a Benedictine nun, her now-famous jet-set life in the United States (Vanity Fair dubbed her the “Punk Princess”), the loss of her husband Johannes I, and the trials involved in raising three young children alone with massive debt.
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His official title was Honorary Chaplain to the Queen (QHC), kind of a big deal for any Anglican clergyman. Then Rt. Rev Gavin Ashenden held the position from 2008 until 2017, when he left following, inter alia, a public liturgical reading in a Glasgow cathedral from the Quran that denied the divinity of Christ.
A good Protestant, he protested. And then he parted ways with the established church.
The rest of the story is told in this interview with England’s highest-profile Catholic convert, received into the Catholic Church in December 2019.
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Despite teaching at prestigious universities, René Girard (1923—2015) was an outsider to the world of academe. The French philosopher and social critic began teaching literature because he needed a job. This venture set up his discovery of just how similar the various novels and classics were that he was lecturing on. He realized over time that, primarily, people want what other people want, a dynamic he called mimetic desire.
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